4
ULTRALINK PRO MX882 User Manual
1. Introduction
With the BEHRINGER ULTRALINK PRO you have purchased an ultra-flexible
“problem solver” in signal distribution applications, designed to meet
highest requirements: professional recording, broadcast and television
studios, CD and digital production facilities, etc. Much like an all-in-one tool,
it provides virtually unlimited configurations. Be it the distribution of a stereo
signal to several outputs (splitter); the combination of separate signals to
one stereo output (mixer), or the specific level adaption of individual signals
(buffer amplifier): the ULTRALINK PRO can perform all of these functions
easily — and simultaneously.
Future-oriented BEHRINGER technology
Our ULTRALINK range of devices has been a hit ever since we introduced our
first model several years ago. This splitter/mixer is based on many years of
experience and findings in mixing technology and is used throughout the world
in renowned studios, sound reinforcement systems as well as in broadcast and
television studios.
It was a real challenge to improve the well-known ULTRALINK even further,
and we are proud of our success. Compared to its predecessor models,
the ULTRALINK PRO not only has additional features, but also comes with
dramatically improved functionality. For example, it now has input and output
level meters and balanced in- and outputs.
The architecture of the ULTRALINK PRO
Basically, the unit consists of six mono channels, which can be used either as a
splitter or as a mixer. For instance, a stereo program source can be inserted via
the main input to be subsequently routed to any of the mono channels that are
set to SPLIT mode. Using the individual BALANCE/PAN control, you can—for each
channel—determine the ratio between the left and right main input signals that
are routed to the corresponding output of the channels. Thus, the stereo input
signal coming from the main input section can be distributed selectively among
the six mono output channels.
In MIX mode, the input signals from the respective channel(s) can be mixed at
the stereo main output, with the individual BALANCE/PAN control determining
the signal ratio between the left and right main outputs (pan function). It is of
particular advantage that, in MIX mode, the stereo input signal from the main
input section is alternatively routed to the main outputs. By using this feature a
total of up to 8 single signals can be combined.
In MIX mode, the mono input signals are simultaneously applied to the
respective mono outputs, which permits each channel to be used as an individual
matching amplifier. The LEVEL controls in the corresponding channels enable
the user to adapt the levels at will, with a maximum gain of +15 dB. Levels used
in home-recording can therefore be converted into studio levels (+4 dBu),
and vice versa.
Typical applications
The ULTRALINK PRO MX882 is one of the most flexible systems of its type.
The following applications can be realized:
2 IN/8 OUT splitter, 8 IN/2 OUT mixer, 6 IN/6 OUT matching amplifier or any
other combination.
•
Keyboard submixer
•
Distribution amplifier for P.A. systems, discotheques, theatres, churches,
hotels, communication systems, etc.
•
Add-on module for mixer channels
•
Add-on module for effect and monitor paths
•
Level translator from -10 dBV to +4 dBu etc.
By combining several ULTRALINK PROs you can set up, for instance, a 24-channel
mixer or splitter.
◊
The following operational manual will introduce you to the BEHRINGER
ULTRALINK PRO and its various functions. After reading the manual
carefully, make sure it is always on hand for future reference.
2. The Design Concept
2.1 High quality components and design
The philosophy behind BEHRINGER products guarantees a no-compromise circuit
design and employs the best choice of components. The operational amplifiers
NJM4580 which are used in the ULTRALINK PRO, are exceptional. They boast
extreme linearity and very low distortion characteristics. To complement this
design the choice of components includes high tolerance resistors and capacitors,
detent potentiometers and several other stringently selected elements.
For the first time, the ULTRALINK PRO MX882 uses SMD technology
(Surface Mounted Device). These sub-miniature components known from
aerospace technology allow for an extreme packing density and improved
reliability. Additionally, the unit is manufactured in compliance with a ISO9000
certified management system.
2.2 Inputs and outputs
2.2.1 Balanced inputs and outputs
As standard, the BEHRINGER ULTRALINK PRO is installed with electronically
servo-balanced inputs and outputs. The new circuit design features automatic
hum and noise reduction for balanced signals and thus allows for trouble-free
operation, even at high operating levels. Externally induced mains hum etc.
will be effectively suppressed. The automatic servo-function recognizes the
presence of unbalanced connectors and adjusts the nominal level internally to
avoid level differences between the input and output signals (correction 6 dB).
6
ULTRALINK PRO MX882 User Manual
4. Control Elements
Fig. 4.1: ULTRALINK PRO front panel
The Behringer ULTRALINK PRO has six identical channels. Each channel is
equipped with two rotary controls, one button and eight LEDs. Moreover there is
a main section with two rotary controls, one button and eight LEDs.
4.1 The front panel control elements
(2)
(1)
(3)
(4)
(6)
(7)
(9)
(5)
(8)
Fig. 4.2: Control elements on the front panel
(1)
The MAIN INPUT LEVEL control sets the main input gain, before the
signal reaches the input bus. In SPLIT mode, the MAIN INPUT LEVEL control
determines the common output level for all mono outputs.
(2)
The 4-digit INPUT LEVEL meter informs you about the input level of the
main input within a range from -24 to +6 dB.
(3)
By depressing the MAIN LINK switch you can route the MAIN INPUT signal
to the MAIN OUT. This way it is possible to route a maximum of eight input
channels to the main mix.
(4)
The MAIN OUTPUT LEVEL control adjusts the output level applied to the
main outputs. The levels present at the six mono outputs are not affected.
Summing the signal levels of several mono channels can overload the main
output stage. The MAIN OUTPUT LEVEL control is therefore used to adjust the
overall output level.
(5)
The 4-digit OUTPUT LEVEL meter informs you about the output level of the
main input within a range from -24 to +6 dB.
(6)
This SPLIT/MIX switch sets the respective channel to SPLITTER or MIXER mode.
(7)
The LEVEL control determines the signal level of the individual channels.
In SPLIT mode, the LEVEL control sets the output level of the mono channels.
In MIX mode, however, it controls the amount of the mono channel’s input
signal feeding into the main output section; at the same time, the level of
the mono channel can be determined, which—owing to the maximum gain
of +15 dB—allows for converting, e.g., home recording levels (-10 dBV)
into studio levels (+4 dBu).
(8)
The 8-digit OUTPUT LEVEL meter informs you about the output level of each
channel within a range from -24 to +18 dB.
(9)
With the BALANCE/PAN control you can set the balance between the left
and right main signals. In SPLIT mode, the main input signal is routed to the
mono output, with the BALANCE control determining the balance beween
the left and right main signal portions. In MIX mode, the mono inputs are
mixed and routed via the LEVEL control to the main outputs, with the PAN
controls determining the allocation of the mono inputs to the left and right
main outputs.
4.2 The rear panel elements
(10)
FUSE HOLDER / VOLTAGE SELECTOR. Please make sure that your local
voltage matches the voltage indicated on the unit, before you attempt to
connect and operate the ULTRALINK PRO. Blown fuses may only be replaced
by fuses of the same type and rating.
(11)
MAINS CONNECTION. Use the enclosed power cord to connect the unit to
the mains. Please also note the instructions given in chapter 3 “Installation”.
(12)
MAIN INPUTS. These are the main audio inputs of your ULTRALINK PRO,
available as balanced XLR connectors. They may feed the mono outputs of all
channels which are operated in SPLIT mode.
(13)
MAIN OUTPUTS. These are the main outputs, available as balanced XLR
connectors. They may be fed either by the left and right main inputs or by
any of the six mono inputs (or a combination of both).
(14)
MONO INPUTS (channel 1 to 4). These are the mono inputs.
Connection takes place via balanced XLR connectors.
(15)
MONO OUTPUTS (channel 1 to 4). These are the mono outputs, available as
balanced XLR connectors.
(16)
MONO INPUTS (channel 5 to 6). These are the mono inputs.
Connection takes place via balanced phone jacks.
(17)
MONO OUTPUTS (channel 5 to 6). These are the mono outputs, available as
balanced phone jacks.
◊
Please take the time to fill in and return the warranty card within
14 days after the date of purchase, so as to benefit from our extended
warranty. Or use our online registration option available on the World
Wide Web at behringer.com.
(10)
(17)
(16)
(15)
(14)
(13)
(12)
(11)
Fig. 4.3: Rear panel elements
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8
9
ULTRALINK PRO MX882
Quick Start Guide
ULTRALINK PRO MX882 Controls
(EN)
Controls
(1)
(2)
(3)
(6)
(4)
(7) (9)
(5)
(8)
(11)
(10)
(17) (16)
(15)
(14)
(13)
(12)
(1)
The MAIN INPUT LEVEL control sets the main input
gain, before the signal reaches the input bus. In SPLIT
mode, the MAIN INPUT LEVEL control determines the
common output level for all mono outputs.
(2)
The 4-digit INPUT LEVEL meter informs you about
the input level of the main input within a range from
-24 to +6 dB.
(3)
By depressing the MAIN LINK switch you can route the
MAIN INPUT signal to the MAIN OUT.
(4)
The MAIN OUTPUT LEVEL control adjusts the output
level applied to the main outputs. The levels present at
the six mono outputs are not affected.
(5)
The 4-digit OUTPUT LEVEL meter informs you about
the output level of the main input within a range from
-24 to +6 dB.
(6)
This SPLIT/MIX switch sets the respective channel to
SPLITTER or MIXER mode.
(7)
The LEVEL control determines the signal level of the
individual channels. In SPLIT mode, the LEVEL control
sets the output level of the mono channels. In MIX
mode, however, it controls the amount of the mono
channel’s input signal feeding into the main output
section; at the same time, the level of the mono
channel can be determined, which—owing to the
maximum gain of +15 dB—allows for converting,
e.g., home recording levels (-10 dBV) into studio levels
(+4 dBu).
(8)
The 8-digit OUTPUT LEVEL meter informs you about
the output level of each channel within a range from
-24 to +18 dB.
(9)
With the BALANCE/PAN control you can set the
balance between the left and right main signals.
In SPLIT mode, the main input signal is routed to the
mono output, with the BALANCE control determining
the balance beween the left and right main signal
portions. In MIX mode, the mono inputs are mixed
and routed via the LEVEL control to the main outputs,
with the PAN controls determining the allocation of
the mono inputs to the left and right main outputs.
(10)
FUSE HOLDER / VOLTAGE SELECTOR.
(11)
MAINS CONNECTION.
(12)
MAIN INPUTS. These are the main audio inputs of your
ULTRALINK PRO, available as balanced XLR connectors.
They may feed the mono outputs of all channels which
are operated in SPLIT mode.
(13)
MAIN OUTPUTS. These are the main outputs,
available as balanced XLR connectors. They may be fed
either by the left and right main inputs or by any of the
six mono inputs (or a combination of both).
(14)
MONO INPUTS (channel 1 to 4). These are the
mono inputs. Connection takes place via balanced
XLR connectors.
(15)
MONO OUTPUTS (channel 1 to 4). These are the mono
outputs, available as balanced XLR connectors.
(16)
MONO INPUTS (channel 5 to 6). These are the
mono inputs. Connection takes place via balanced
phone jacks.
(17)
MONO OUTPUTS (channel 5 to 6). These are the mono
outputs, available as balanced phone jacks.
Check Out behringer.com for Full Manual
3 ULTRALINK PRO MX882 User Manual Important Safety 9. Do not defeat the safety purpose of the polarized TO BIND MUSIC GROUP BY ANY EXPRESS OR IMPLIED Instructions or grounding-type plug. A polarized plug has two blades UNDERTAKING OR REPRESENTATION. THIS MANUAL with one wider than the other. A grounding-type plug IS COPYRIGHTED. NO PART OF THIS MANUAL MAY has two blades and a third grounding prong. The wide BE REPRODUCED OR TRANSMITTED IN ANY FORM blade or the third prong are provided for your safety. If the OR BY ANY MEANS, ELECTRONIC OR MECHANICAL, provided plug does not fi t into your outlet, consult an INCLUDING PHOTOCOPYING AND RECORDING OF ANY electrician for replacement of the obsolete outlet. KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS 10. Protect the power cord from being walked on or WRITTEN PERMISSION OF MUSIC GROUP IP LTD. pinched particularly at plugs, convenience receptacles, Terminals marked with this symbol carry ALL RIGHTS RESERVED. electrical current of suffi cient magnitude and the point where they exit from the apparatus. © 2013 MUSIC Group IP Ltd. to constitute risk of electric shock. 11. Use only attachments/accessories specifi ed by Trident Chambers, Wickhams Cay, P.O. Box 146, Use only high-quality professional speaker cables with the manufacturer. Road Town, Tortola, British Virgin Islands ?" TS or twist-locking plugs pre-installed. All other 12. Use only with the installation or modifi cation should be performed only cart, stand, tripod, bracket, by qualifi ed personnel. or table specifi ed by the LIMITED WARRANTY This symbol, wherever it appears, manufacturer, or sold with For the applicable warranty terms and conditions alerts you to the presence of uninsulated the apparatus. When a cart and additional information regarding MUSIC Group’s Limited Warranty, please see complete details online at dangerous voltage inside the is used, use caution when www.music-group.com/warranty. enclosure - voltage that may be suffi cient to constitute a moving the cart/apparatus risk of shock. combination to avoid injury from tip-over. This symbol, wherever it appears, 13. Unplug this apparatus during lightning storms or alerts you to important operating and when unused for long periods of time. maintenance instructions in the accompanying literature. Please read the manual. 14. Refer all servicing to qualifi ed service personnel. Servicing is required when the apparatus has been Caution damaged in any way, such as power supply cord or plug To reduce the risk of electric shock, do not is damaged, liquid has been spilled or objects have fallen remove the top cover (or the rear section). into the apparatus, the apparatus has been exposed No user serviceable parts inside. Refer servicing to to rain or moisture, does not operate normally, or has qualifi ed personnel. been dropped. Caution 15. The apparatus shall be connected to a MAINS socket To reduce the risk of fi re or electric shock, outlet with a protective earthing connection. do not expose this appliance to rain and 16. Where the MAINS plug or an appliance coupler is moisture. The apparatus shall not be exposed to dripping used as the disconnect device, the disconnect device shall or splashing liquids and no objects fi lled with liquids, remain readily operable. such as vases, shall be placed on the apparatus. Caution These service instructions are for use by qualifi ed service personnel only. To reduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions. Repairs have to be performed by qualifi ed service personnel. 1. Read these instructions. 2. Keep these instructions. LEGAL DISCLAIMER TECHNICAL SPECIFICATIONS AND APPEARANCES 3. Heed all warnings. ARE SUBJECT TO CHANGE WITHOUT NOTICE AND 4. Follow all instructions. ACCURACY IS NOT GUARANTEED. BEHRINGER, 5. Do not use this apparatus near water. KLARK TEKNIK, MIDAS, BUGERA, AND TURBOSOUND 6. Clean only with dry cloth. ARE PART OF THE MUSIC GROUP (MUSIC-GROUP.COM). 7. Do not block any ventilation openings. Install in ALL TRADEMARKS ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS. MUSIC GROUP ACCEPTS NO accordance with the manufacturer’s instructions. LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED 8. Do not install near any heat sources such as BY ANY PERSON WHO RELIES EITHER WHOLLY OR radiators, heat registers, stoves, or other apparatus IN PART UPON ANY DESCRIPTION, PHOTOGRAPH (including amplifi ers) that produce heat. OR STATEMENT CONTAINED HEREIN. COLORS AND SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT. MUSIC GROUP PRODUCTS ARE SOLD THROUGH AUTHORIZED FULLFILLERS AND RESELLERS ONLY. FULLFILLERS AND RESELLERS ARE NOT AGENTS OF MUSIC GROUP AND HAVE ABSOLUTELY NO AUTHORITY
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Behringer MX882 — page 1
Users Manual Version 1.2 März 2001 ULTRALINK PRO MX882 www.behringer.com ENGLISH …
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Behringer MX882 — page 2
2 UL TRALINK PRO MX882 This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous voltage inside the enclosure — voltage that may be sufficient to con- stitute a risk of shock. This symbol, wherever it appears, alerts you to important operating and mainte- nance instructions in the accompanying literature. Read the manual …
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Behringer MX882 — page 3
3 UL TRALINK PRO MX882 FOREWORD Dear Customer, Welcome to the team of ULTRALINK PRO users and thank you very much for expressing your confidence in BEHRINGER products by purchasing this unit. It is one of my most pleasant tasks to write this letter to you, because it is the culmination of many months of hard work delivered by our engineering team t …
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Behringer MX882 — page 4
4 UL TRALINK PRO MX882 MX882 ULTRALINK PRO Ultra-flexible, multi-purpose 8-channel Signal Router for stage and studio applications s Use it as Effects Mixer, for P.A. Monitoring, Live Sound Systems, Theaters, Conference Rooms, Hotels, Churches, etc. s Any channel can be selected either as Mixer or Splitter s You can use it as 8-IN, 2-OUT Line Mixer …
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Behringer MX882 — page 5
5 UL TRALINK PRO MX882 T ABLE OF CONTENTS 1 . INTRODUCTION ……………………………………………………………………………………………………… 6 2 . THE DESIGN CONCEPT …………………………………………………………………………………………. 7 2. 1 High quality components and design .. …
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Behringer MX882 — page 6
6 UL TRALINK PRO MX882 1. INTRODUCTION With the BEHRINGER ULTRALINK PRO you have purchased an ultra-flexible problem solver in signal distribution applications, designed to meet highest requirements: professional recording, broadcast and television studios, CD and digital production facilities, etc. Much like an all-in-one tool, it provides v …
-
Behringer MX882 — page 7
7 UL TRALINK PRO MX882 2. THE DESIGN CONCEPT 2. 1 High quality components and design The philosophy behind BEHRINGER products guarantees a no-compromise circuit design and employs the best choice of components. The operational amplifiers NJM4580 which are used in the ULTRALINK PRO, are exceptional. They boast extreme linearity and very low distorti …
-
Behringer MX882 — page 8
8 UL TRALINK PRO MX882 3. 3 Audio connections The audio inputs and outputs on the BEHRINGER ULTRALINK PRO are fully balanced. If possible, connect the unit to other devices in a balanced configuration to allow for maximum interference immunity. Unbalanced use of mono 1/4″ jack plugs Ring Balanced use of stereo 1/4″ jack plugs Balanced use …
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Behringer MX882 — page 9
9 UL TRALINK PRO MX882 4. CONTROL ELEMENTS Fig. 4.1: UL TRALINK PRO front panel The BEHRINGER ULTRALINK PRO has six identical channels. Each channel is equipped with two rotary controls, one button and eight LEDs. Moreover there is a main section with two rotary controls, one button and eight LEDs. 4. 1 The front panel control elements Fig. 4.2: Co …
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Behringer MX882 — page 10
10 UL TRALINK PRO MX882 9 With the BALANCE/PAN control you can set the balance between the left and right main signals. In SPLIT mode, the main input signal is routed to the mono output, with the BALANCE control determining the balance beween the left and right main signal portions. In MIX mode, the mono inputs are mixed and routed via the LEVEL co …
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Behringer MX882 — page 11
11 UL TRALINK PRO MX882 5. BLOCK DIAGRAM Fig. 5.1: Block diagram of the BEHRINGER UL TRALINK PRO MX882 MAIN Section Both main inputs interface via the MAIN INPUT LEVEL control with the input bus as well as with the main outputs. The MAIN OUTPUT LEVEL control determines the output level of the signals which are summed by the second bus (i.e., the ou …
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Behringer MX882 — page 12
12 UL TRALINK PRO MX882 6. APPLICATIONS 6. 1 Application as a mixer Fig. 6.1: Block diagram of the MIXER function When the mono channels are operated in MIX mode, a maximum of 8 (6+2) mono input signals can be summed and routed to the main outputs. In this mode, the individual signal sources are connected to the mono inputs on the BEHRINGER ULTRALI …
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Behringer MX882 — page 13
13 UL TRALINK PRO MX882 6. 2 Application as a splitter Fig. 6.2: Block diagram of the SPLITTER function A splitter is a distribution amplifier which allows for splitting a specific input signal to several outputs. This function is of use, e.g., in a large-scale sound reinforcement system where the mixer’s output signal needs to be allocated to …
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Behringer MX882 — page 14
14 UL TRALINK PRO MX882 6. 3 Application as a matching amplifier Fig. 6.3: Block diagram of the MA TCHING AMPLIFIER function The BEHRINGER ULTRALINK PRO can also be used as a multiple matching amplifier. The task of a matching amplifier is to convert the level of a signal source into another level. For instance, a cassette recorder with home record …
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Behringer MX882 — page 15
15 UL TRALINK PRO MX882 7. SPECIFICATIONS AUDIO INPUTS Connectors XLR and 1/4″ TRS T ype RF filtered, servo-balanced input Impedance 50 kOhms balanced, 25 kOhms unbalanced Nominal operating level -10 dBV to +4 dBu Max. input level +21 dBu balanced and unbalanced CMRR Ty p . 4 0 d B , > 5 5 d B @ 1 k H z AUDIO OUTPUTS Connectors XLR and 1/4& …
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Behringer MX882 — page 16
16 UL TRALINK PRO MX882 8 . WARRANTY The information contained in this manual is subject to change without notice. No part of this manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of BEHRINGER S pez …

