Harman kardon avr 147 инструкция

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Designed to Entertain.

TM

AV R 147

AUDIO/VIDEO RECEIVER

OWNER’S M ANUAL

2

SAFETY INFORMATION

1. Read Instructions. All the safety and operating instruc-

tions should be read before the product is operated.

2. Retain Instructions. The safety and operating instruc-

tions should be retained for future reference.

3. Heed Warnings. All warnings on the product and in the

operating instructions should be adhered to.

4. Follow Instructions. All operating and use instructions

should be followed.

5. Cleaning. Unplug this product from the wall outlet before

cleaning. Do not use liquid cleaners or aerosol cleaners. Use

a damp cloth for cleaning.

6. Attachments. Do not use attachments not recommended

by the product manufacturer, as they may cause hazards.

7. Water and Moisture. Do not use this product near

water – for example, near a bathtub, wash bowl, kitchen

sink or laundry tub; in a wet basement; near a swimming

pool; or the like.

8. Accessories. Do not place this product on an unstable

cart, stand, tripod, bracket or table. The product may fall,

causing serious injury to a child or adult, and serious dam-

age to the product. Use only with a cart, stand, tripod,

bracket or table recommended by the manufacturer, or sold

with the product. Any mounting of the product should follow

the manufacturer’s instructions, and should use a mounting

accessory recommended by the manufacturer.

9. A Product and Cart Combination

Should Be Moved With Care. Quick stops,

excessive force and uneven surfaces may

cause the product and cart combination to

overturn.

10. Ventilation. Slots and openings in the cabinet are pro-

vided for ventilation and to ensure reliable operation of the

product and to protect it from overheating, and these open-

ings must not be blocked or covered. The openings should

never be blocked by placing the product on a bed, sofa, rug

or other similar surface. This product should not be placed in

a built-in installation, such as a bookcase or rack, unless

proper ventilation is provided or the manufacturer’s instruc-

tions have been adhered to.

11. Power Sources. This product should be operated only

from the type of power source indicated on the marking

label. If you are not sure of the type of power supply to your

home, consult your product dealer or local power company.

For products intended to operate from battery power, or

other sources, refer to the operating instructions.

12. Polarization. This product may be equipped with a

polarized alternating-current-line plug (a plug having one

blade wider than the other). This plug will fit into the power

outlet only one way. This is a safety feature. If you are unable

to insert the plug fully into the outlet, try reversing the plug.

If the plug should still fail to fit, contact your electrician to

replace your obsolete outlet. Do not defeat the safety pur-

pose of the polarized plug.

13. Power-Cord Protection. Power-supply cords should be

routed so that they are not likely to be walked on or pinched

by items placed upon or against them, paying particular

attention to cords at plugs, convenience receptacles, and

the point where they exit from the product.

14. Nonuse Periods. The power cord of the product should

be unplugged from the outlet when left unused for long

periods of time.

15. Outdoor Antenna Grounding. If an outside antenna

or cable system is connected to the product, be sure the

antenna or cable system is grounded so as to provide some

protection against voltage surges and built-up static charges.

Article 810 of the National Electrical Code, ANSI/NFPA 70,

provides information with regard to proper grounding of the

mast and supporting structure, grounding of the lead-in wire

to an antenna discharge unit, size of grounding conductors,

location of antenna-discharge unit, connection to grounding

electrodes, and requirements for the grounding electrode.

See Figure A.

16. Lightning. For added protection for this product during

a lightning storm, or when it is left unattended and unused

for long periods of time, unplug it from the wall outlet and

disconnect the antenna or cable system. This will prevent

damage to the product due to lightning and power-line

surges.

17. Power Lines. An outside antenna system should not

be located in the vicinity of overhead power lines or other

electric light or power circuits, or where it can fall into

such power lines or circuits. When installing an outside

antenna system, extreme care should be taken to keep

from touching such power lines or circuits, as contact with

them might be fatal.

18. Overloading. Do not overload wall outlets, extension

cords, or integral convenience receptacles, as this can result

in a risk of fire or electric shock.

19. Object and Liquid Entry. Never push objects of any

kind into this product through openings, as they may touch

dangerous voltage points or short-out parts that could result

in a fire or electric shock. Never spill liquid of any kind

on the product.

20. Servicing. Do not attempt to service this product

yourself, as opening or removing covers may expose you

to dangerous voltage or other hazards. Refer all servicing

to qualified service personnel.

21. Damage Requiring Service. Unplug this product from

the wall outlet and refer servicing to qualified service personnel

under the following conditions:

a. The power-supply cord or the plug has been damaged; or

b. Objects have fallen onto, or liquid has been spilled into, the

product; or

c. The product has been exposed to rain or water; or

d. The product does not operate normally when following the

operating instructions. Adjust only those controls that are

covered by the operating instructions, as an improper

adjustment of other controls may result in damage and

will often require extensive work by a qualified technician

to restore the product to its normal operation; or

e. The product has been dropped or damaged in any way; or

f. The product exhibits a distinct change in performance; this

indicates a need for service.

22. Replacement Parts. When replacement parts are

required, be sure the service technician has used replace-

ment parts specified by the manufacturer or that have the

same characteristics as the original part. Unauthorized substi-

tutions may result in fire, electric shock or other hazards.

23. Safety Check. Upon completion of any service or

repairs to this product, ask the service technician to perform

safety checks to determine that the product is in proper

operating condition.

24. Wall or Ceiling Mounting. The product should be

mounted to a wall or ceiling only as recommended by the

manufacturer.

25. Heat. The product should be situated away from heat

sources such as radiators, heat registers, stoves or other

products (including amplifiers) that produce heat.

Figure A.

Example of Antenna Grounding as per

National Electrical Code ANSI/NFPA 70

3

Important Safety Information

Verify Line Voltage Before Use

Your AVR 147 has been designed for use with 120-volt AC current. Connection to

a line voltage other than that for which it is intended can create a safety and fire

hazard and may damage the unit.

If you have any questions about the voltage requirements for your specific model, or

about the line voltage in your area, contact your selling dealer before plugging the unit

into a wall outlet.

Do Not Use Extension Cords

To avoid safety hazards, use only the power cord attached to your unit. We do not

recommend that extension cords be used with this product. As with all electrical

devices, do not run power cords under rugs or carpets or place heavy objects on

them. Damaged power cords should be replaced immediately by an authorized service

center with a cord meeting factory specifications.

Handle the AC Power Cord Gently

When disconnecting the power cord from an AC outlet, always pull the plug; never

pull the cord. If you do not intend to use the unit for any considerable length of time,

disconnect the plug from the AC outlet.

Do Not Open the Cabinet

There are no user-serviceable components inside this product. Opening the cabinet

may present a shock hazard, and any modification to the product will void your

guarantee. If water or any metal object such as a paper clip, wire or staple acciden-

tally falls inside the unit, disconnect it from the AC power source immediately, and

consult an authorized service center.

CATV or Antenna Grounding

If an outside antenna or cable system is connected to this product, be certain that it is

grounded so as to provide some protection against voltage surges and static charges.

Section 810 of the National Electrical Code, ANSI/NFPA No. 70-1984, provides

information with

respect to proper grounding of the mast and supporting structure,

grounding of the lead-in wire to an antenna

discharge unit, size of grounding conduc-

tors, location of antenna discharge unit,

connection to grounding electrodes and

requirements of the grounding electrode.

NOTE TO CATV SYSTEM INSTALLER: This reminder is provided to call the CATV

(cable TV) system installer’s attention to article 820-40 of the NEC, which provides

guidelines for proper grounding and, in particular, specifies that the cable ground

shall be connected to the grounding system of the building, as close to the point

of cable entry as possible.

Installation Location

• To ensure proper operation and to avoid the potential for safety hazards, place the

unit on a firm and level surface. When placing the unit on a shelf, be certain that

the shelf and any mounting hardware can support the weight of the product.

• Make certain that proper space is provided both above and below the unit for

ventilation. If this product will be installed in a cabinet or other enclosed area,

make certain that there is sufficient air movement within the cabinet. Under some

circumstances, a fan may be required.

• Do not place the unit directly on a carpeted surface.

• Avoid installation in extremely hot or cold locations, or in an area that is exposed

to direct sunlight or heating equipment.

• Avoid moist or humid locations.

• Do not obstruct the ventilation slots on the top of the unit, or place objects

directly over them.

• Due to the weight of the AVR 147 and the heat generated by the amplifiers,

there is the remote possibility that the rubber padding on the bottom of the

unit’s feet may leave marks on certain wood or veneer materials. Use caution

when placing the unit on soft woods or other materials that may be damaged

by heat or heavy objects. Some surface finishes may be particularly sensitive to

absorbing such marks, due to a variety of factors beyond Harman Kardon’s control,

including the nature of the finish, cleaning materials used, and normal heat and

vibration caused by the use of the product, or other factors. We recommend that

caution be exercised in choosing an installation location for the component and in

normal maintenance practices, as your warranty will not cover this type of damage

to furniture.

Cleaning

When the unit gets dirty, wipe it with a clean, soft, dry cloth. If necessary, and only after

unplugging the AC power cord, wipe it with a soft cloth dampened with mild soapy

water, then a fresh cloth with clean water. Wipe it dry immediately with a dry cloth.

NEVER use benzene, aerosol cleaners, thinner, alcohol or any other volatile cleaning

agent. Do not use abrasive cleaners, as they may damage the finish of metal parts.

Avoid spraying insecticide near the unit.

Moving the Unit

Before moving the unit, be certain to disconnect any interconnection cords with

other components, and make certain that you disconnect the unit from the AC outlet.

Important Information for the User

This equipment has been tested and found to comply with the limits for a Class-B

digital device, pursuant to Part 15 of the FCC Rules. The limits are designed to

provide reasonable protection against harmful interference in a residential installation.

This equipment generates,

uses and can radiate radio-frequency energy

and, if not

installed and used in accordance with the instructions, may cause harmful interference

to radio communication. However, there is no guarantee that harmful interference will

not occur in a particular installation. If this equipment does cause harmful interference

to radio or television reception, which can be determined by turning the equipment

off and on, the user is encouraged to try to correct the interference by one or more

of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit

different from that to which the

receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the

following two conditions: (1) this device may not cause harmful interference, and (2)

this device must accept interference received, including interference that may cause

undesired operation.

NOTE: Changes or modifications may cause this unit to fail to comply with Part

15 of

the FCC Rules and may void the user’s authority to operate the equipment.

Unpacking

The carton and shipping materials used to protect your new receiver during shipment

were specially designed to cushion it from shock and vibration. We suggest that you

save the carton and packing materials for use in shipping if you move, or should the

unit ever need repair.

To minimize the size of the carton in storage, you may wish to flatten it. This is

done by carefully slitting the tape seams on the bottom and collapsing the carton. Other

cardboard inserts may be stored in the same manner. Packing materials that cannot be

collapsed should be saved along with the carton in a plastic bag.

If you do not wish to save the packaging materials, please note that the carton and

other sections of the shipping protection are recyclable. Please

respect the environment

and discard those materials at a local recycling center.

It is important that you remove the protective plastic film from the front-panel lens.

Leaving the film in place will affect the performance of your remote control.

SAFETY INFORMATION

4

STAPLE INVOICE HERE

The

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6

Thank you for choosing Harman Kardon

®

!

In the years since Harman Kardon invented the high-fidelity receiver,

we have taken to heart the philosophy of bringing the joy of home

entertainment to as many people as possible, adding performance and

ease-of-use features that enhance the home entertainment experience.

In the years since our first single-channel component was introduced,

Harman Kardon has offered a number of receiver models, each an

improvement upon its predecessors, leading to the AVR 147, a

5.1-channel digital audio/video receiver that offers a wealth of listening

and viewing options, all in an elegant package.

To obtain the maximum enjoyment from your new receiver, we urge you

to read this manual and refer back to it as you become more familiar

with its features and their operation.

If you have any questions about this product, its installation or its

operation, please contact your retailer or customer installer, or visit our

Web site at www.harmankardon.com.

Please register your AVR 147 on our Web site at www.harmankardon.com.

Note: You’ll need the product’s serial number. At the same time, you can choose to be notified about our new products

and/or special promotions.

AVR 147 5.1-Channel Audio/Video Receiver

Audio Section

• 40 Watts x 5, five channels driven at full power at 8 ohms,

20Hz – 20kHz, <0.07% THD, (surround modes); 200 watts total

• 50 Watts x 2, two channels driven at full power at 8 ohms,

20Hz – 20kHz, <0.07% THD, (surround off mode); 100 watts total

• High current capability, ultrawide bandwidth amplifier design with low

negative feedback

• All-discrete amplifier circuitry

• Dual independent power supplies, for front and surround channels

• Triple crossover bass management

• 24-Bit, twin-core Cirrus Logic

®

CS 49510 DSP processor with

32-bit post processor

• 192kHz/24-bit D/A conversion

• Sampling upconversion to 96kHz

Surround Modes

• Dolby

®

Digital

• Dolby Pro Logic

®

II (Movie, Music and Game)

• Dolby Virtual Speaker Version 2 (Reference 2- or 3-speaker;

Wide 2-, 3-, 4- or 5-speaker)

• Dolby Headphone Version 2

• DTS

®

(5.1; DTS Stereo)

• DTS 96/24

™

(DTS Stereo)

• DTS Neo:6

®

(Cinema 3- or 5-channel; Music 5-channel)

• Logic 7

®

(Cinema, Music and Enhance)

• Hall 1 and Hall 2

• Theater

• 5-Channel Stereo

• Surround Off (DSP or Analog Bypass)

WWW.HARMANKARDON.COM

INTRODUCTION

7

INTRODUCTION

Audio Inputs

• AM/FM/XM

®

* tuner

• CD

• Tape

• 6-Channel direct

• /DMP for iPod** connectivity

Audio/Video Inputs (With S-Video)

• Video 1

• Video 2

• Video 3

• DVD

• Two 100MHz assignable component video inputs

• Simplay HD

™

-verified HDMI

™

1 and 2 (switching only)

Digital Audio Inputs

• Coaxial: Two rear-panel/one front-panel

• Optical: Two rear-panel/one front-panel

Outputs

• Subwoofer output

• Tape (analog audio)

• Video 1 (analog audio and video)

• Video Monitor (composite, S-video and component)

• Digital Audio (one coaxial, one optical)

• Simplay HD-verified HDMI (switching only)

• Headphone

Ease of Use

• EzSet/EQ

™

automated setup (microphone included)

• On-screen display with composite and S-video; choice of blue or

black background

• Two-line dot-matrix front-panel display

• Color-coded connections

• Programmable ten-device main remote control

• Source input renaming

• A/V Sync Delay

• RS-232 serial port for system upgrades

• Switched accessory power outlet

The AVR 147 is Simplay HD-verified for compatibility

via the HDMI connection with other Simplay HD-verified products.

Supplied Accessories

The following accessory items are supplied with the AVR 147. If any

of these items are missing, please contact Harman Kardon customer

service at www.harmankardon.com.

• System remote control

• EzSet/EQ microphone with extender rod

• AM loop antenna

• FM wire antenna

• Three AAA batteries

• Two covers for front-panel jacks

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*XM antenna module and subscription to XM service required. Handware and

service sold separately. XM service is not available in Alaska and Hawaii.

**Compatible with all iPod models equipped with a dock connector. Not compatible

with iPod shuffle models. Images and videos stored on iPod photo and video

models may be viewed.

8

Main Power Switch: This mechanical switch turns the power supply

on or off. It is usually left pressed in (On position), and cannot be turned

on using the remote control.

Standby/On Switch: This electrical switch turns the receiver on

for playback, or leaves it in Standby mode for quick turn-on using this

switch or the remote control.

Power Indicator: This LED has three possible modes. When main

power is turned off, the LED is dark and the receiver won’t respond to

any button presses. When main power is turned on, but before the

Standby/On Switch is used, the LED turns amber to indicate that the

receiver is in Standby mode and ready to be turned on. When the

receiver is turned on, the LED turns blue.

Source Select: Press this button to select a source device, which

is a component where a playback signal originates, e.g., DVD, CD,

cable TV, satellite or HDTV tuner.

Source Indicators: The name of the current source input lights up.

The indicated input changes each time the Source Select button is

pressed.

Volume Knob: Turn this knob to raise or lower the volume, which will

be shown in decibels (dB) in the Message Display.

Message Display: Various messages appear in this two-line display

in response to commands and changes in the incoming signal. When

the on-screen display menu system (OSD) is in use, the message OSD

ON will appear to remind you to check the video display.

Tuner Band: Press this button to select the tuner as the source, to

switch between the AM and FM bands, or to select XM satellite radio.

Tuning: Press either side of this button to tune a radio station or XM

channel.

Tuning Mode: This button toggles between manual (one frequency

step at a time) and automatic (seeks frequencies with acceptable signal

strength) tuning mode. It also toggles between stereo and mono modes

when an FM station is tuned.

When XM Radio is in use, pressing this button repeatedly displays the

channel name, category, artist and track title in the lower line of the

Message Display. For traffic-and-weather channels, this button displays

the city, channel name, local weather and local temporature.

Preset Stations: Press this button to select a preset radio station.

Headphone Jack/EzSet/EQ Microphone Input: Plug a 1/4″

headphone plug into this jack for private listening.

This jack is also used to connect the supplied microphone before begin-

ning the EzSet/EQ procedure described in the Initial Setup section. To

begin EzSet/EQ, plug the supplied microphone into this jack, place the

microphone at the listening position, and follow the directions given in

the EzSet/EQ on-screen menu.

Surround Mode: Press this button to select a surround sound (e.g.,

multichannel) mode group. Choose from the Dolby modes, DTS modes,

Logic 7 modes, DSP modes or Stereo modes.

Surround Select: After you have selected the desired surround

mode group, press this button to select a specific mode.

Surround Mode Indicators: One or more of these icons may light

up as you select different surround modes. The Message Display also

indicates the surround mode.

Analog Audio, Video and Digital Audio Inputs: Connect a

source component that will only be used temporarily, such as a camera

or game console, to these jacks. Use only one type of audio and one

type of video connection.

Speaker/Channel Input Indicators: The box icons indicate

which speaker positions you have configured, and the size (frequency

range) of each speaker. When a digital audio input is used, letters will

light inside the boxes to indicate which channels are present in the

incoming signal.

Navigation: These buttons are used together with the following five

buttons to make selections.

Tone Mode: Press this button to access the tone controls (bass and

treble). Use the ‹

/› Navigation Buttons to make your selections.

Speaker: Press this button to configure speaker sizes, that is, the

low-frequency-range capability of each speaker.

Channel Level Adjust: Press this button to set the output level for

each channel so that all speakers sound equally loud at the listening

position.

Digital Input Select: Press this button to select the specific digital

audio input (or analog audio input) you used for the current source.

Delay: Press this button to set delay times that compensate for plac-

ing the speakers at different distances from the listening position.

FRONT-PANEL CONTROLS

9

Surround

Mode

Tuning

Preset Stations

Surround

Select

Tuner Band

Tuning

Mode

Source Input

Select

Headphone

Jack/EzSet/EQ

Microphone

Input

Digital

Audio Inputs

(Optical 3/Coaxial 3)

Video 3

Video Inputs

Video 3

Analog Audio

Inputs

Navigation

Tone Mode

Speaker Size

Setup

Delay

Digital Input

Select

Power

Indicator

Main Power

Switch

Standby/On

Switch

Volume

Source

Indicators

Message Display

Surround Mode Indicators

Speaker/Channel

Input Indicators

Channel Level

Adjust

NOTE: To make it easier to follow the instructions throughout the manual that refer to this illustration, a copy of this page may be downloaded from the Product Support section at

www.harmankardon.com.

10

REAR-PANEL CONNECTIONS

AM and FM Antenna Terminals: Connect the included AM and

FM antennas to their respective terminals for radio reception.

XM Antenna Jack: Plug in an XM antenna module here. The XM

antenna module is purchased separately, and should specify that it is for

home use with an XM Ready

®

product. You will need to subscribe to the

XM service, which is available separately, and activate the service for

your antenna module. (XM service is not available in Alaska and Hawaii.)

Front, Center and Surround Speaker Outputs: Use two-

conductor speaker wire to connect each set of terminals to the correct

speaker. Remember to observe the correct polarity (positive and negative

connections). Always connect the positive lead to the colored terminal

on the receiver and the red terminal on the speaker. Connect the negative

lead to the black terminal on both the receiver and the speaker. See the

Connections section for more information on connecting your speakers.

Subwoofer Output: If you have a powered subwoofer with a

line-level input, connect it to this jack.

Video 1, Video 2 and DVD Audio/Video Inputs: These jacks may

be used to connect your video-capable source components (e.g., VCR,

DVD player, cable TV box) to the receiver. Use only one type of video con-

nection for each source. See the Connections section for more information

on audio and video connection options for each source component.

Video 1 Audio/Video Outputs: These jacks may be used to

connect your VCR or another recorder.

Composite and S-Video Monitor Outputs: If some of your

sources use composite or S-video connections, connect one or both of

these monitor outputs to the corresponding inputs on your television

or video display to view them.

HDMI Inputs and Output: HDMI (High-Definition Multimedia

Interface) is a newer type of connection for transmitting digital audio and

video signals between devices. Although the AVR 147 is not capable of

processing HDMI signals, if your video display is HDMI-capable, you may

connect up to two HDMI sources here, and then connect the HDMI out-

put to your video display for improved video performance. It is recom-

mended that you disable the HDMI audio function of your video display,

and make a separate digital audio connection from the source device to

one of the AVR’s coaxial or optical digital audio inputs to benefit from

the AVR 147’s multichannel audio processing.

The AVR 147 is Simplay HD-verified for compatibility via the HDMI

connection with other Simplay HD-verified products.

NOTE: The AVR 147 will not convert other types of video to

HDMI, and you will not be able to view the on-screen displays

using the HDMI connection.

CD and Tape Audio Inputs: These jacks may be used to connect

audio-only source components (e.g., CD player, tape deck). Do not

connect a turntable to these jacks unless you are using it with a

phono preamp.

Tape Outputs: These jacks may be used to connect a CDR or

another audio-only recorder.

Coaxial and Optical Digital Audio Inputs: If your source has

a compatible digital audio output, connect it to one of these jacks for

improved audio performance. Use only one type of digital audio connection

for each source.

Coaxial and Optical Digital Audio Outputs: If a source is also

an audio recorder, you may connect a compatible digital audio output to

the recorder’s input for improved recording quality.

The Bridge/DMP Input: Connect the optional Harman Kardon

to this input for use with your iPod (not included). Make

sure the receiver is turned off (in Standby mode) when connecting

The Bridge.

6-Channel Inputs: Connect the multichannel analog audio outputs

of a DVD-Audio, SACD

™

, Blu-ray Disc

™

or HD-DVD

™

player (or any

other external decoder) to these jacks to enjoy these proprietary formats.

Component Video Inputs: If both your video source (e.g., DVD

player or HDTV tuner) and your television or video display have analog

component video (Y/Pb/Pr) capability, then you may connect the

component video outputs of your source to one of the two component

video inputs. Do not make any other video connections to that source.

Component Video Monitor Outputs: If you are using either

of the Component Video Inputs and your television or video display is

component-video-capable, you may connect these jacks to the corre-

sponding inputs on your video display. You will also need to connect the

composite and/or S-video monitor outputs to your video display if some

of your sources use those types of video connections, and to view the

AVR 147’s on-screen displays.

RS-232 Serial Port: This specialized connector may be used with

your personal computer in case Harman Kardon offers a software

upgrade for the receiver at some time in the future.

RS-232 Mode: Leave this switch popped out in the Operate position

unless the AVR 147 is being upgraded.

RS-232 Reset: This switch is only used during a software upgrade.

A standard processor reset is performed by pressing and holding the

front-panel Tone button.

Switched AC Accessory Outlet: You may plug the AC power

cord of one source device into this outlet, and it will turn on whenever

you turn on the receiver. Do not use a source that consumes more than

50 watts of power.

AC Power Cord: After you have made all other connections, plug

the AC power cord into an unswitched outlet.

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11

FM Antenna

AM Antenna

Video 2

A/V

Inputs

Video 1

A/V

Outputs

Video 1

A/V

Inputs

Video

Monitor

Outputs

XM

Antenna

Jack

RS-232

Serial Port

HDMI 1 Input HDMI Output HDMI 2 Input

AC Power

Cord

DVD A/V

Inputs

Component Video

Inputs (1 & 2)

Component Video

Monitor Outputs

The Bridge/

DMP Input

RS-232

Reset

RS-232

Mode

Subwoofer

Output

Front

Speaker

Outputs

Surround

Speaker

Outputs

6-Channel

Inputs

Center

Speaker

Outputs

Coaxial Digital

Audio Output

Optical Digital

Audio Inputs (1 & 2)

Coaxial Digital

Audio Inputs

(1 & 2)

Optical Digital

Audio Output

Switched AC

Accessory

Outlet

CD

Inputs

Tape

Outputs

Tape

Inputs

NOTE: To make it easier to follow the instructions throughout the manual that refer to this illustration, a copy of this page may be downloaded from the Product Support section at

www.harmankardon.com.

12

The AVR 147 remote is capable of controlling up to ten devices, including

the AVR itself and an iPod docked in the optional The Bridge accessory.

During the installation process, you may program the codes for each of

your source components into the remote. Each time you wish to use the

codes for any component, first press the Selector button for that component.

This changes the button functions to the appropriate codes for that product.

NOTE: Several of the Input Selectors are shared between two

devices. The selector button will light in red when the remote

is in the device mode printed on the button, and it will light in

green for the device mode printed above the button. To switch

between the two device modes, press the selector

twice

quickly

in succession. The selector will remain in the last-selected mode

until the next time you press the selector twice quickly.

For example, the first time you press the DVD button, the button

will light up in red, indicating that the remote is in DVD mode. If

you press another selector, such as the VID3 selector, and then

press the DVD button again, the DVD button will remain red,

indicating the remote is still in DVD mode. Now press the DVD

button twice quickly. At the first press the button will light red,

indicating that the remote is in DVD mode. On the second press

the button will turn green, indicating that the remote is now in CD

mode. If you press a different selector and return to the DVD/CD

Selector, you will observe that the remote is still in CD mode.

Each Input Selector has been preprogrammed to control certain types

of components, with only the codes specific to each brand and model

changing, depending on which product code is programmed. The

device types programmed into each selector may not be changed.

DVD: Controls DVD players and recorders.

CD: Controls CD players and recorders.

Tape: Controls cassette decks.

Video 1: Controls VCRs, TiVo and DVRs.

Video 2: Controls cable and satellite television set-top boxes.

Video 3: Controls televisions and other video displays.

The Bridge/DMP: Controls an iPod docked in The Bridge.

HDMI 1 and 2: Each code set controls a source device (VCR/PVR,

DVD player or cable/satellite set-top box) connected to one of these

two inputs.

XM: Controls the AVR functions for XM Satellite Radio.

For example, if you have inserted a disc in your CD player and you

would like to skip ahead three tracks, but you then find that the volume

is too loud, you would follow this procedure:

1. Press the CD Input Selector to switch to the codes that control your

CD player.

2. Press the Play Button (in the Transport Controls section) if the disc

is not already playing.

3. Press the Skip Up Button three times to advance three tracks.

4. Press the AVR Button so that you can access the Volume Controls.

5. Press the Volume Down Button until the volume level is satisfactory.

Any given button may have different functions, depending on which

component is being controlled. Some buttons are labeled with these

functions. For example, the Sleep and DSP Surround Buttons are

labeled for use as Channel Up/Down Buttons when controlling a

television or cable box. See Table A8 in the appendix for listings of

the different functions for each type of component.

IR Transmitter Lens: As buttons are pressed on the remote,

infrared codes are emitted through this lens. Make sure it is pointing

toward the component being operated.

Power On Button: Press this button to turn on the AVR or another

device. The Master Power Switch on the AVR 147’s front panel must

first have been switched on.

Mute Button: Press this button to mute the AVR 147’s speaker and

headphones outputs temporarily. To end the muting, press this button

or adjust the volume. Muting is also canceled when the receiver is

turned off.

Program Indicator: This LED lights up or flashes in one of three colors

as the remote is programmed with codes.

Power Off Button: Press this button to turn off the AVR 147 or

another device.

AVR Selector: Press this button to switch the remote to the codes

that operate the receiver.

Input Selectors: Press one of these buttons to select a source

device, which is a component where a playback signal originates, e.g.,

DVD, CD, cable TV, satellite or HDTV tuner. This will also turn on the

receiver and switch the remote’s mode to operate the source device.

XM Radio Button: Press this button to select XM Satellite Radio as

the source. You will need to have purchased and activated an XM antenna

module, and you will also need to subscribe to the XM Radio service.

Visit www.xmradio.com for more information.

AM/FM Button: Press this button to select the tuner as the source,

or to switch between the AM and FM bands, or XM Radio.

6-Channel Input Selector: Press this button to select the

6-Channel Inputs as the audio source. The receiver will use the video

input and remote control codes for the last-selected video source.

Test Tone: Press this button to activate the test tone for manual

output-level calibration.

TV/Video: This button has no effect on the receiver, but is used to

switch video inputs on some video source components.

Sleep Button: Press this button to activate the sleep timer, which

shuts off the receiver after a programmed period of time of up to

90 minutes.

REMOTE CONTROL FUNCTIONS

13

NOTE: To make it easier to follow the instructions

throughout the manual that refer to this illustration,

a copy of this page may be downloaded from the

Product Support section at www.harmankardon.com.

14

REMOTE CONTROL FUNCTIONS

Volume Controls: Press these buttons to raise or lower the volume,

which will be shown in decibels (dB) in the Message Display.

DSP Surround: Press this button to select a DSP surround mode

(Hall 1, Hall 2, Theater).

On-Screen Display (OSD): Press this button to activate the

on-screen menu system.

Channel Level: Press this button to set the output levels for each

channel so that all speakers sound equally loud at the listening position.

Usually this is done while playing an audio selection, such as a favorite

CD, after you have calibrated the levels using EzSet/EQ, as described in the

Initial Setup section.

Speaker Setup: Press this button to configure speaker sizes, that is,

the frequency-range capability of each speaker. Usually this is done using

the on-screen menu system, as described in the Initial Setup section.

Navigation

⁄

/¤/‹/› and Set Buttons: These buttons are

used together to make selections within the on-screen menu system, or

when accessing the functions of the four buttons surrounding this area

of the remote – Channel Level, Speaker Setup, Digital Input or Delay.

Digital Input Select: Press this button to select the specific digital

audio input (or analog audio input) you used for the current source.

Delay: Press this button to set delay times that compensate for placing

the speakers at different distances from the listening position, or to

resolve a “lip sync” issue that may be caused by digital video processing.

This may also be done using the on-screen menu system, as described

in the Initial Setup section.

Numeric Keys: Use these buttons to enter radio station frequencies

or to select station presets. When the AM or FM band is in use, press

the Direct button before entering the station frequency.

When listening to XM Radio, you may enter channel numbers without

first pressing the Direct Button; however, to access the preset stations,

you will need to use the Preset Stations Selectors. To access another

bank of XM presets, press the Set Button repeatedly until PRESET

SEARCH appears, then use the

⁄/¤ Buttons to select the letter

of the desired bank.

Tuning Mode: When listening to AM or FM radio, this button toggles

between manual (one frequency step at a time) and automatic (seeks

frequencies with acceptable signal strength) tuning mode. It also toggles

between stereo and mono modes when an FM station is tuned.

When listening to XM Radio, press the Tuning Mode Button once to view

the category name of the current channel. Additional presses will display

the artist, song title and channel name.

Memory: After you have tuned a particular radio station, press this

button, then the numeric keys, to save that station as a radio preset.

For XM Radio, the procedure for saving a preset is a little different. To

save the current channel in one of the 40 available preset locations,

press the Set Button repeatedly until PRESET SEARCH appears. Use

the

⁄/¤ Buttons to select a letter (A through E) representing one of

the five banks of preset memory slots. Then press the Memory button,

followed by a Numeric Key (1 through for the precise preset memory

location you wish to save the channel in.

Tuning: Press these buttons to tune a radio station or XM Radio

channel. For the AM and FM bands, and depending on whether the

tuning mode has been set to manual or automatic, each press will either

change one frequency step at a time, or seek the next frequency with

acceptable signal strength.

Direct: Press this button before using the Numeric Keys to directly

enter a radio station frequency (AM or FM bands only).

Clear: Press this button to clear a radio station frequency you have

started to enter.

Preset Stations Selector: Press these buttons to select a preset

radio station.

For XM Radio, first press the Set Button repeatedly until PRESET SEARCH

appears and then use the

⁄/¤ Buttons to select the letter of the

desired bank of presets.

Tone Mode: Press this button to access the tone controls (bass and

treble). Use the Navigation buttons to make your selections.

Disc Skip: This button has no effect on the receiver, but is used with

some optical disc changers to skip to the next disc.

Macros: These buttons may be programmed to execute long

command sequences with a single button press. They are useful for

programming the command to turn on or off all of your components,

or for accessing specialized functions for a different component than you

are currently operating.

Surround Mode Selectors: Press any of these buttons to select

a type of surround sound (e.g., multichannel) mode. Choose from the

Dolby modes, DTS modes, Logic 7 modes or Stereo modes. Each

press of a button will cycle to the next available variant of that mode.

Not all modes or mode groups are available with all sources.

Night Mode: Press this button to activate Night mode with specially

encoded Dolby Digital discs or broadcasts. Night mode compresses the

audio so that louder passages are reduced in volume to avoid disturbing

others, while dialogue remains intelligible.

Track Skip: These buttons have no effect on the receiver, but are

used with many source components to change tracks or chapters.

Dim: Press this button to partially or fully dim the front-panel display.

Transport Controls: These buttons have no effect on the receiver,

but are used to control many source components. By default, when the

remote is operating the receiver, these buttons will control a DVD player.

15

INTRODUCTION TO HOME THEATER

The AVR 147 may be the first multichannel surround sound receiver

you have owned. Although it has more connections and features than

two-channel receivers, many of the principles are similar and the new

concepts are easy to understand. This introductory section will help you

to familiarize yourself with the basic concepts, which will make setup

and operation smoother.

If you are already familiar with home theater, you may skip this section

and proceed to the Connections section on page 16.

Typical Home Theater System

A home theater typically includes your audio/video receiver, which

con

trols the system; a DVD player; a source component for television

broad

casts, which may be a cable box, a satellite dish receiver, an HDTV

tuner or simply an antenna connected to the TV; a video display (televi-

sion); and loudspeakers.

All of these components are connected by various types of cables for

audio and video signals.

Multichannel Audio

The main benefit of a home theater system is that several loudspeakers

are used in various locations around the room to produce “surround

sound.” Surround sound immerses you in the musical or film presentation

for increased realism.

The AVR 147 may have up to five speakers connected directly to

it (plus a subwoofer). Each speaker is powered by its own amplifier

channel inside the receiver. When more than two speakers are used,

it is called a multichannel system.

• Front Left and Right – The main speakers are used the same way

as in a two-channel system. However, you may notice that in many

surround modes, these speakers are used more for ambient sound

while the main action, especially dialogue, is moved to the center

speaker.

• Center – The center speaker is usually placed above or below the

video screen, and is used mostly for dialogue in movies and television

programs. This placement allows the dialogue to originate near the

actors’ faces, for a more natural sound.

• Surround Left and Right – The surround speakers are used to

improve directionality of ambient sounds. In addition, by using more

loudspeakers in the system, more dynamic soundtracks may be

played without risk of overloading any one speaker.

Many people expect the surround speakers to play as loudly as the

front speakers. Although all of the speakers in the system will be

calibrated to sound equally loud at the listening position, most artists

use the surround speakers for ambient effects only, and they program

their materials to steer very little sound to these speakers.

• Subwoofer – A subwoofer is a special-purpose speaker designed

to play only the lowest frequencies (the bass). It may be used to

augment smaller, limited-range satellite speakers used for the other

channels. In addition, many digital-format programs, such as movies

recorded in Dolby Digital, contain a special low-frequency effects

(LFE) channel which is directed only to the subwoofer. The LFE channel

packs the punch of a rumbling train or airplane, or the power of an

explosion, adding realism and excitement to your home theater. Many

people use two subwoofers, placed on the left and right sides of the

room, for additional power and even distribution of the sound.

Surround Modes

There are different theories as to the best way to present surround

sound and to distribute soundtrack information among the various

speakers. A variety of algorithms have been developed in an effort to

accurately reproduce the way we hear sounds in the real world. The

result is a rich variety of surround mode options. Some modes are

selected automatically, depending on the signal being received from

the source. In many cases, you may select a surround mode manually.

Several companies have taken surround sound in slightly differing

directions. It is helpful to group the numerous surround modes either

by their brand name, or by using a generic name:

• Dolby Laboratories, Inc. Modes – Dolby Digital, Dolby Pro Logic II,

Dolby Virtual Speaker, Dolby Headphone

• DTS Modes – DTS, DTS Neo:6, DTS 96/24

• Harman International (Harman Kardon’s Parent Company) –

Logic 7

• DSP Modes – Generic modes that include Hall 1, Hall 2 and Theater

• Stereo Modes – Generic modes that expand upon conventional two-

channel stereo, including DSP Surround Off, Analog Bypass Surround

Off and 5-Channel Stereo

Table 6 on pages 43 – 45 contains detailed explanations of the

differences between the various mode groups, and the mode options

available within each group. Digital modes, such as Dolby Digital and

DTS, are only available with specially encoded programs, such as

DVDs and digital television. Other modes may be used with various

digital and analog signals to create a different surround presentation,

or to use a different number of speakers. Surround mode selection

depends upon the number of speakers in your system, the materials

you are watching or listening to, and your personal tastes.

Feel free to experiment.

16

CONNECTIONS

There are different types of audio and video connections used to

connect the receiver to the speakers and video display, and to connect

the source devices to the receiver. To make it easier to keep them all

straight, the Consumer Electronics Association (CEA) has established

a color-coding standard. Table 1 may be helpful to you as a reference

while you set up your system.

Table 1– Connection Color Guide

Types of Connections

This section will briefly review different types of cables and connections

that you may use to set up your system.

Speaker Connections

Speaker cables carry an amplified signal from the receiver’s speaker

terminals to each loudspeaker. Speaker cables generally contain two

wire conductors, or leads, inside plastic insulation. The two conductors

are usually differentiated in some way, by using different colors, or

stripes, or even by adding a ridge to the insulation. Sometimes the

actual wires are different, one being copper colored and the other silver.

The differentiation is important because each speaker must be connected

to the receiver’s speaker-output terminals using two wires, one positive

(+) and one negative (–). This is called speaker polarity. It’s important

to maintain the proper polarity for all speakers in the system. If some

speakers have their negative terminals connected to the receiver’s posi-

tive terminals, performance can suffer, especially for the low frequencies.

Always connect the positive terminal on the loudspeaker, which is usually

colored red, to the positive terminal on the receiver, which is colored as

shown in the Connection Color Guide (Table 1). Similarly, always connect

the black negative terminal on the speaker to the black negative terminal

on the receiver.

The AVR 147 uses binding-post speaker

terminals that can accept banana plugs

or bare-wire cables.

Banana plugs are simply plugged into the

hole in the middle of the terminal cap.

Figure 1 – Binding-Post Speaker

See Figure 1.

Terminals With Banana Plugs

Bare wire cables are installed as follows (see Figure 2):

1. Unscrew the terminal cap until the pass-through hole in the collar

is revealed.

2. Insert the bare end of the wire into the hole.

3. Screw the cap back into place until the wire is held snugly.

Figure 2 – Binding-Post Speaker Terminals With Bare Wires

Subwoofer

The subwoofer is a specialized type of loudspeaker that is usually

connected in a different way. The subwoofer is used to play only the

low frequencies (bass), which require much more power than the other

speaker channels. In order to obtain the best results, most speaker

manufacturers offer powered subwoofers, in which the speaker contains

its own amplifier on board. Sometimes the subwoofer is connected to

the receiver using the front left and right speaker outputs, and then the

front left and right speakers are connected to terminals on the subwoofer.

More often, a line-level (nonamplified) connection is made from the

receiver’s Subwoofer Output to a corresponding jack on the subwoofer,

as shown in Figure 3.

Although the subwoofer output looks similar to the analog audio jacks

used for the various components, it is filtered and only allows the low

frequencies to pass. Don’t connect this output to your other devices.

Although doing so won’t cause any harm, performance will suffer.

Figure 3 – Subwoofer

Connecting Source Devices to the AVR

The AVR 147 is designed to process audio and video input signals,

playing back the audio and displaying the video on a television or monitor

connected to the AVR. These signals originate in what are known as

“source devices,” including your DVD player, CD player, DVR (digital

video recorder) or other recorder, tape deck, game console, cable or

satellite television box or MP3 player. Although the tuner is built into the

AVR, it also counts as a source, even though no external connections

are needed, other than the FM and AM antennas.

Separate connections are required for the audio and video portions of

the signal. The types of connections used depend upon what’s available

on the source device, and for video signals, the capabilities of your

video display.

Subwoofer

Pre-out

12 3

+

Audio Connections

Left Right

Front (FL/FR)

Center (C)

Surround (SL/SR)

Subwoofer (SUB)

Digital Audio Connections

Coaxial

Optical Input Output

Video Connections

Component Y Pb Pr

Composite

S-Video

HDMI Connections (switching only)

HDMI

17

CONNECTIONS

Audio Connections

There are two formats for audio connections: digital and analog. Digital

audio signals are of higher quality, and are required for listening to

sources encoded with digital surround modes, such as Dolby Digital and

DTS. There are two types of digital audio connections: coaxial and optical.

Either type of digital audio connection may be used for each source

device, but never both simultaneously for the same source. However, it’s

okay to make both analog and digital audio connections at the same

time to the same source.

NOTE: Although HDMI cables are capable of carrying digital

audio signals, the AVR 147 is not designed to process those

signals. Therefore, if your source and video display are both HDMI-

capable, use the HDMI connections for video only. Make a separate

audio connection from the source device to the AVR 147, and turn

the volume on your TV all the way off.

Digital Audio

Coaxial digital audio jacks are usually color-coded in orange. Although

they look similar to analog jacks, they should not be confused, and you

should not connect coaxial digital audio outputs to analog inputs or

vice versa. See Figure 4.

Figure 4 – Coaxial Digital Audio

Optical digital audio connectors are normally covered by a shutter to

protect them from dust. The shutter opens as the cable is inserted. Input

connectors are color-coded using a black shutter, while outputs use a

gray shutter. See Figure 5.

Figure 5 – Optical Digital Audio

Due to the nature of digital signals as binary bits, they aren’t subject

to signal degradation the way analog signals are. Therefore, the quality

of coaxial and optical digital audio connections should be the same,

although it is important to limit the length of the cable. Whichever type of

connection you choose, Harman Kardon recommends that you always

select the highest quality cables available within your budget.

Analog Audio

Analog connections require two cables, one for the left channel (white)

and one for the right channel (red). These two cables are often attached

to each other for most of their length. See Figure 6. Most sources that

have digital audio jacks also have analog audio jacks, although some

older types of sources, such as tape decks, have only analog jacks. For

sources that are capable of both digital and analog audio, you may wish

to make both connections. If you wish to record materials from DVDs

or other copy-protected sources, you may only be able to do so using

analog connections. Remember to comply with all copyright laws if you

choose to make a copy for your own personal use.

Figure 6 – Analog Audio

Multichannel analog connections are used with some high-definition

sources where the copy-protected digital content is decoded inside

the source. These types of connections are usually used with DVD-Audio,

SACD, Blu-ray Disc, HD-DVD and other multichannel players.

See Figure 7.

Figure 7 – Multichannel Analog Audio

Harman Kardon receivers also include a proprietary, dedicated audio

connection called “The Bridge/DMP”. If you own an iPod with a dock

connector, you may purchase The Bridge separately and connect it to

The Bridge/DMP port on the receiver. See Figure 8. Dock your iPod (not

included) in The Bridge, and you may play your materials through your

high-performance audio/video system. You may even use the AVR 147

remote to control the iPod, with navigation messages displayed on the

front panel and on the screen of a video display connected to the AVR.

Figure 8 – The Bridge

Video Connections

Although some sources produce an audio signal only (e.g., CD player,

tape deck), many sources output both audio and video signals (e.g.,

DVD player, cable television box, HDTV tuner, satellite box, VCR, DVR).

In addition to the audio connection, you will need to connect one type

of video connection for each of these sources (never more than one

at the same time for any source).

Digital Video

The AVR 147 is equipped with two HDMI (High-Definition Multimedia

Interface) inputs, and one output. HDMI is capable of carrying digital

audio and video information using a single cable, thus delivering the

highest possible quality picture and sound.

There are different versions of HDMI, depending on the capability of the

source device and the type of signal it is capable of transmitting via the

HDMI connection.

In addition, receivers and processors such as the AVR 147 may handle

the incoming signal in several different ways, depending on their capabil-

ity as well. The AVR 147 is only capable of switching the HDMI data.

That is, the incoming audio and video data will be passed directly to

your HDMI-capable video display, without the AVR 147 processing any

Multichannel

analog audio

cable (RCA)

Front Surround Center

Subwoofer

L

R

nalog audio

cable (RCA)

pt

ca

Optical digital

audio cable

Coaxial

Coaxial digital

audio cable

18

CONNECTIONS

of the data. Although this enables the AVR 147 to be compatible with

virtually any HDMI-capable source device and video display, it requires a

separate audio connection for each source since the AVR 147 doesn’t

have access to the audio data in the HDMI stream.

The AVR 147 is Simplay HD-verified for compatibility via the HDMI

connection with other Simplay HD-verified products.

The AVR 147 will not convert analog video signals to the HDMI format,

and the on-screen displays are not visible when using an HDMI source.

Therefore, you will need to connect the composite or S-video monitor

output to your video display (or both, depending on which video con-

nections your sources use), to view the on-screen menus.

The physical HDMI connection is simple. The connector is shaped for

easy plug-in (see Figure 9). If your video display has a DVI input, you

may use an HDMI-to-DVI adapter (not included) to connect it to the

AVR’s HDMI Output.

Figure 9 – HDMI Connection

Analog Video

There are three types of analog video connections: composite video,

S-video and component video.

Composite video is the basic connection most commonly available.

The jack is usually color-coded yellow, and looks like an analog audio

jack, although it is important never to confuse the two. Do not plug a

composite video cable into an analog or coaxial digital audio jack, or

vice versa. Both the chrominance (color) and luminance (intensity)

components of the video signal are transmitted using a single cable.

See Figure 10.

Figure 10 – Composite Video

S-video, or “separate” video, transmits the chrominance and luminance

components using separate wires contained within a single cable. The

plug on an S-video cable contains four metal pins, plus a plastic guide

pin. Be careful to line up the plug correctly when you insert it into the

jack on the receiver, source or video display. See Figure 11.

Figure 11 – S-Video

Component video separates the video signal into three components –

one luminance (“Y”) and two subsampled color signals (“Pb” and “Pr”) –

that are transmitted using three separate cables. The “Y” cable is

color-coded green, the “Pb” cable is colored blue and the “Pr” cable

is colored red. See Figure 12.

Figure 12 – Component Video

If it’s available on your video display, HDMI is recommended as the best

quality connection, followed by component video, S-video and then

composite video.

NOTE: A composite or S-video connection to your TV is

required to view the AVR’s on-screen displays.

Antennas

The AVR 147 uses separate terminals for the included FM and AM

antennas that provide proper reception for the tuner.

The FM antenna uses a 75-ohm F-connector. See Figure 13.

Figure 13 – FM Antenna

The AM loop antenna needs to be assembled. Then connect the two

leads to the screw terminals on the receiver. See Figure 14.

Figure 14 – AM Antenna

RS-232 Serial Port

The RS-232 serial port on the AVR 147 is used only for data. If

Harman Kardon releases a software upgrade for the receiver’s operating

system at some time in the future, the upgrade may be downloaded

to the AVR using this port. Complete instructions will be provided at

that time.

Component

video cable

S-video cable

Composite

video cable

19

Before you begin to connect cables, it is important to place your speak-

ers in their correct locations in the room.

Optimally, the speakers should be placed in a circle with the listening

position at its center. The distance from the listening position to the

video display forms the radius of the circle. See Figure 15.

The speakers should be angled so that they directly face the

listening position.

The center speaker is placed either on top of, below or mounted on

the wall above or below the video display screen.

The front left and right speakers are placed along the circle, about

30 degrees from the center speaker and angled toward the listener.

It is best to place the front left/right and center speakers as close to

the same height as possible, preferably at about the same height as the

listener’s ears. In any event the center speaker should be no more than

two feet above or below the left/right speakers.

The side surround speakers should be placed 110 degrees from the

center speaker; that is, slightly behind and angled toward the listener.

If this isn’t feasible, place them behind the listener, with each surround

speaker facing the opposite-side front speaker. The surround speakers

may be placed a little higher than the listener’s ears.

The subwoofer’s location is less critical, since low-frequency sounds are

omnidirectional. Placing the subwoofer close to a wall or in a corner will

reinforce the low frequencies, and may create a “boomy” sound. You

may wish to experiment over time by placing the subwoofer where the

listener normally sits and then walking around the room until the low

frequencies sound best. Place the subwoofer in that spot.

NOTE: Your receiver will sound its best when the same model

loudspeaker is used for all positions (other than the subwoofer).

If that isn’t possible, try to use speakers made by the same

manufacturer.

SPEAKER PLACEMENT

110°

150°

110°

150°

30° 30°

Front Left

Speaker

Surround

Right

Speaker

Alternate Placement

for Surround

Left Speaker

Alternate Placement

for Surround

Right Speaker

Front Right

Speaker

Subwoofer

Video Display

Center

Surround

Left

Speaker

Figure 15 – Speaker Placement

20

20

INSTALLATION

You are now ready to connect your various components to your receiver.

Before beginning, make sure that all components, including the AVR 147,

are turned completely off and their power cords are unplugged. Don’t

plug any of the power cords back in until you have finished

making all of your connections.

Remember that your receiver generates heat while it is on. Select a

location that leaves several inches of space on all sides of the receiver. It

is preferable to avoid completely enclosing the receiver inside a cabinet.

It is also preferable to place components on separate shelves rather

than stacking them directly on top of the receiver. Some surface finishes

are delicate. Try to select a location with a sturdy surface finish.

Step One – Connect the Speakers

If you have not yet done so, place your speakers in the listening room

as described in the Speaker Placement section above.

Connect the center, front left, front right, surround left and surround right

loudspeakers to the corresponding speaker terminals on the AVR 147.

See Figure 16. Remember to maintain the proper polarity by always

connecting the positive and negative terminals on each speaker to the

positive and negative terminals on the receiver. Use the Connection

Color Guide on page 16 as a reference.

Figure 16 – Speaker Connections

Step Two – Connect the Subwoofer

Connect the Subwoofer Output on the AVR 147 to the line-level input on

your subwoofer. See Figure 17. Consult the manufacturer’s guide for the

subwoofer for additional information.

Figure 17 – Subwoofer Connection

Step Three – Connect the Antennas

Connect the FM and AM antennas to their terminals. See Figure 18.

Figure 18 – Antenna Connections

Step Four – Connect the Source Components

Use the Table A4 worksheet in the Appendix to note which connections

you will use for each of your source devices.

For each source, select a source input (Video 1, Video 2, Video 3, etc.).

In Table 2 we recommend connecting certain types of sources to certain

source inputs to make it easier to program and use the remote control.

Decide which audio connections you will use. If your source device has

them, use

either

the coaxial digital or the optical digital audio connection.

Referring to Table 2, we recommend you connect the DVD source to

the Coaxial 1 input jack, and the source designated Video 2 to the

Optical 2 input jack. If you are using the HDMI inputs for video switching,

then we recommend using the Coaxial 2 digital audio connection for the

source connected to the HDMI 1 input, and the Optical 2 digital audio

connection for the source connected to the HDMI 2 input.However, you

may make whatever connections are best for your system.

In addition to the digital audio connections, we recommend that you

connect the analog audio connections for each source, as a backup to

the digital connections for recording, or in the event that you use all six

of the digital audio inputs for other devices. For sources that don’t have

digital audio outputs, you must use the analog audio connections.

For each video source, select one type of video connection. HDMI is

preferred, but both your source device and your video display must

have this type of video capability. If either device does not, then use

component video, S-video or composite video.

Referring to Table 2, we recommend that you connect the DVD source

to the Component Video 1 inputs, and any one source designated as

Video 1, Video 2 or Video 3 to the Component Video 2 inputs. Any

HDMI-capable source devices should be connected to one of the two

HDMI inputs. All other source devices should be connected to compo-

nent, the S- or composite video input for that source. However, you may

make whatever video connections are best for your system.

FM

AM

AVR 147

AVR 147

SUB

FR FL SR SL

AVR 147

C

21

Device Type AVR 147 Source Input Audio Connections Video Connections

VCR, DVR, PVR, Video 1 • Video 1 Analog (inputs and outputs) •

One

of Component Video 2, Video 1 S-video

TiVo

®

or other and or Video 1 composite video input

audio/video recorder • Any one available coaxial or optical • For recording, use Video 1 S-video or

digital audio input with corresponding composite video output, and do not use

coax or optical digital output component video connections at all

Cable TV, Satellite, Video 2 • Video 2 Analog Inputs and •

One

of Component Video 2, Video 2

HDTV or other • Optical 1 Input S-video

or

Video 2 composite video input

device that delivers

television programs

TV, game console, Video 3 (front-panel jacks) • Video 3 Analog Inputs and •

One

of Component Video 2, Video 3 S-video

camera or other •

Either

Coax 3 or Optical 3 Input

or

Video 3 composite video input

audio/video device

DVD Audio/Video, DVD • DVD Analog Inputs • Component Video 1 Input

SACD, HD-DVD, • 6-Channel Inputs (optional) and

Blu-ray Disc • Coax 1 Input

CD player CD • CD Analog Inputs and • Not required

• Any one available coaxial or optical

digital audio input

CDR, MiniDisc, Tape • Tape Analog (inputs and outputs) and • Not required

cassette • Any one available coaxial or optical

digital audio input

• Use corresponding coax or

optical digital output

INSTALLATION

Table 2 – Recommended Source Component Connections

NOTE: It’s possible for a source to use none of the connections

named for that source. For example, you might connect your

DVD player to the Component Video 1 inputs and the Coax 1

digital audio input. However, we will refer to this source as

“DVD”, and in Step Five of the Initial Setup section you will

program the receiver so that these connections are assigned to

the DVD source. When you select “DVD” as your source using

the front panel or the remote, the correct connections for your

DVD player will be used.

We recommend connecting your various sources using the connections

shown in Table 2 below in order to simplify programming your receiver

and remote control. However, you may connect any device to any

source input.

NOTE: The AVR 147 is equipped with a total of six digital audio

inputs, four on the rear panel (Coaxial 1 and 2, Optical 1 and 2)

and two on the front panel (Coaxial 3 and Optical 3), which may

be assigned to any of the eight source inputs (DVD, Video 1

through 3, HDMI 1 and 2, CD and Tape). We recommend certain

digital audio connections simply because, as reflected in Table

A1 of the Appendix, those digital audio inputs are assigned to

those sources by default at the factory. But any digital audio

input may be reassigned to any source. Since you may not be

using all eight source inputs, you may reassign a digital audio

input that is recommended for a source you aren’t using to

another device. Table 2 is a guideline; you may need to make

adjustments to fit your system.

Video 1 Source

Since this source includes audio and video recording output jacks, it is

best suited to a video recorder, such as your VCR or DVR.

Referring to Table 2, connect your recorder to the Video 1 Analog Audio

inputs and outputs and to any available coaxial or optical digital audio

input (and corresponding digital audio output). See Figure 19. Use either

the Video 1 S-video or composite video input and output if you wish to

make recordings. If you don’t plan on recording, you may use the

Component Video 2 inputs.